“Life is short and we do not have much time to gladden the hearts of those who are traveling the journey with us. So be swift to love, and make haste to be kind. Amen.”
Unknown.  (Blessing from Celtic Service.)
No, I couldn’t possibly purchase this set.  Not at all.  Not a bit of it.  Sigh…one day….

No, I couldn’t possibly purchase this set.  Not at all.  Not a bit of it.  Sigh…one day….

thedailywhat:

Heartwarming Tearjerker of the Day: The sheer cliffs at the mouth of Sydney Harbor have long been a popular Australian suicide spot. But they’re about to get a lot more deadly — the local man who is credited with talking at least 160 people out of killing themselves since 1964 died this week.
Window-watcher Don Ritchie, known as the Angel of the Gap, could spot the troubled ones from his home across the street; he’d wander down to the cliff-edge and calmly ask, “Can I help you in some way?” More often then not, he could. He’d chat with them a bit, then invite them back to his place for a cup of tea.
“My ambition has always been to just get them away from the edge, to buy them time, to give them the opportunity to reflect and give them the chance to realize that things might look better the next morning,” Ritchie once said. “You just can’t sit there and watch them. You’ve got to try and save them.”
[advocatingprogress]

thedailywhat:

Heartwarming Tearjerker of the Day: The sheer cliffs at the mouth of Sydney Harbor have long been a popular Australian suicide spot. But they’re about to get a lot more deadly — the local man who is credited with talking at least 160 people out of killing themselves since 1964 died this week.

Window-watcher Don Ritchie, known as the Angel of the Gap, could spot the troubled ones from his home across the street; he’d wander down to the cliff-edge and calmly ask, “Can I help you in some way?” More often then not, he could. He’d chat with them a bit, then invite them back to his place for a cup of tea.

“My ambition has always been to just get them away from the edge, to buy them time, to give them the opportunity to reflect and give them the chance to realize that things might look better the next morning,” Ritchie once said. “You just can’t sit there and watch them. You’ve got to try and save them.”

[advocatingprogress]

Haha.  I used to really like this show.  Quotes like this are a big reason why.

Haha.  I used to really like this show.  Quotes like this are a big reason why.

(Source: freakingshotgun)

I stumbled on this birthday card at CVS recently.  It’s awesome.  Sadly, the one person I’d give it to would reject it.  Click on photo for additional photos and a video of his happy little song.  

I stumbled on this birthday card at CVS recently.  It’s awesome.  Sadly, the one person I’d give it to would reject it.  Click on photo for additional photos and a video of his happy little song.  

Irene Adler in Sherlock

My two cents.  Warning about spoilers if you haven’t watched episode one of season two of Sherlock.

Full disclosure: I like Sherlock Holmes, but I don’t have an encyclopedic knowledge of his escapades.  I read all of them in junior high and high school, but have only periodically returned to read any of them since that time.  Since the first time I read “Scandal in Bohemia,” however, I have loved the depiction of Irene Adler as a foil to Sherlock’s usual methodology.  The woman confounded him, and through him off his game.  Unlike some, I never saw their attraction as being physical, but rather an intellectual respect between equals whose genders provided different motives and methods.  

And in a bit of typical fan appreciation, I’d filed away as an idea for the future that Irene Adler and Sherlock Holmes would be a fantastic couples costume for a Halloween party.  (Admittedly not entirely original, but still unusual enough to likely be the only pairing at a typical party!)

The first episode of season 2 of the new, modern, adaptation Sherlock by Stephen Moffat is loosely based on “Scandal in Bohemia” and is entitled “Scandal in Belgravia.”  When I first heard that they’d turned the opera singer Irene into dominatrix Irene, I was appalled and deeply skeptical.  Why does a powerful and “equal” woman to a modern Sherlock have to be a sexualized woman?  But, having some faith in both the series and Moffat, I decided to reserve judgment and watch.

The first part of the show was pleasantly surprising.  Irene was witty and clever.  Despite her being a dominatrix, the editing and directing was not overtly sexualized.  Spiler Example - Although Irene is nude when she first meets Sherlock, it is clearly designed to throw Sherlock off his game (a successful move) rather than to scintillate either him or the audience.  I was intrigued and drawn into the story, and decided that although I would have modernized her in a different way, this approach kept the core of the character and her relationship in tact.

If only the final few scenes had lived up to that initial impression.  In the final few scenes Irene went from being written in keeping to her original spirit to being a lamentable figure in the hands of a chauvinist writer.  I do not mean to call Moffat a chauvinist so much as to suggest that he simply fell into such a pattern in how he treated Adler in the end.  More Spoilers to illustrate my points - Instead of being an independent foil for Holmes, Adler “didn’t know what to do” with the information she possessed until she consulted with Moriarty.  He is the mastermind, and she is the pawn.  While I can understand the desire to stage Moriarty as Holmes’ primary nemesis, that is unfaithful to Doyle’s vision for Adler.  There is no need to have every adventure pit the two men against each other.  The episode implies that Adler’s call to Moriarty “saved” Holmes and Watson from the predicament that ended season one.  But that point is all but forgotten when Adler is unable to match Holmes independently later in the episode, and it serves simply as a plot point neatly wrapped up without having Adler be a truly clever behind-the-scenes force.  Even worse, in the final scene, Adler is shown being beheaded by terrorists, only to have Sherlock be one of her captors who rescues her.  A cliched damsel in distress tale if ever there were one.  If she’s so clever, why can’t she save herself?  Or have Holmes assist, certainly, but then have them working together instead of helpless woman and savior man.  

In less than ten minutes, Moffat managed to deconstruct all that was the core of Irene Adler.  Shame on him.  

(Last caveat - I haven’t seen the second and third episodes of the season yet.  Based on titles, I don’t see that Moffat will have the opportunity to redeem himself from these criticisms relating to Adler, but perhaps he will.)

“The kernel, the soul — let us go further and say the substance, the bulk, the actual and valuable material of all human utterances — is plagiarism. For substantially all ideas are second-hand, consciously and unconsciously drawn from a million outside sources, and daily use by the garnerer with a pride and satisfaction born of the superstition that he originated them; whereas there is not a rag of originality about them anywhere except the little discoloration they get from his mental and moral calibre and his temperament, and which is revealed in characteristics of phrasing.”
Mark Twain, as quoted here.